All Rivers Run Into Sea
Set Illustration ; installation; Collage | Location: Beijing | Date: 2022
Details:This project explored the relationship between man and nature based on my own reelings, and presented In the ligntand snadow device. Ine five patterns in the device are derived from my five strono reelnas orintegration withnatureIn this prolect. I tried to understand and exoress: the numan bodv itselt is composed or hundreds.
Water is a mysterious creature that can walk on the surface of my skin and live in my body. When I'm in the pool, I'm surrounded by her, and I enjoy the feeling, like a mother who embraces me so much, and I can feel my blood connecting with her.
When I coughed and caught a cold as a child, I always felt as if there was something tightly surrounding my lungs like a tree. No matter how hard I coughed, I could not pull out this invisible force completely.
Gold, solid, the most important element of the five elements, just like the head is important to the body.
The land gives birth to life. When it gathers together, it can be boundless, and when it spreads out, it can be a small dot. It's like, it's like my skin, sometimes it's smooth, and sometimes it hides surprises.
The sun is my strongest bond, and that is fire. He was hope and strength, and I grew up thinking THAT I could connect with him and draw energy from him when I looked him in the eye. The trade-off, of course, is that you'll see a lot of different colored flecks of light.
This project explored the relationship between man and nature based on my own feelings, and presented in the light and shadow device. The five patterns in the device are derived from my five strong feelings of integration with nature.
In this project, I tried to understand and express: the human body itself is composed of hundreds of millions of cells. It is an independent body, but it is also the sum of many things from a micro view. The galaxy we live in is also composed of many planets and other creatures in the universe. From my perspective, we are individuals, and we are also in harmony with the universe. Human beings have jumped out of time, become the most primitive part of the universe, and slowly rebuild them into other things around them, and eventually become everywhere. In this context, I try to break down and think about myself: does a part of me come from the earth, the water, the burning sun? This concept connects with the mythology in ancient China. From a broad view, it is an ecological interpretation of the integrated world of man and nature. In myths and stories, man is subordinate to nature and is a part of the natural world. It can even be considered that human life is produced by the mysterious interaction between man and nature.
The abstract meaning of mythology and the concrete image are fused, and a certain meaning can only be expressed if it is transformed into an image. Therefore, mythology constructs its own world with symbolic images, and the totems in many mythological stories make metaphor of the relationship between man and nature in the form of pictures. Therefore, in this project the visual effect of the pattern design is based on the inherent organizational structure of nature worship. This meaning of connection with nature is drawn by my five scenes related to nature, full of absurdity and mystery.